the bird on fire

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a letter

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By Makena Behnke

 

i don’t miss you

i miss having someone like you, but i don’t miss you

i miss the shopping sprees and the fun times we rarely had

i don’t miss the judgment or the condescending attitude towards everything i like and do

i don’t miss you being overdramatic and making everything about you

i miss the eating out and trips to Costco for a berry ice cream sundae

i miss the “whatever you want”

i don’t miss the “that’s what you want?”

i miss the dogs

i miss the house

i miss the husband

i miss the having whatever you want whenever you want

but i certainly

do not

miss

you.

 

Editor: Renée Vazquez

An Open Letter to Parents

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By Claire Jenkins

 

An Open Letter to Parents,

     Your child is worth more than their GPA

     Your child is worth more than the colleges they get into

     Your child is worth more than the sports they play

 

     Your child is going to get hurt, but they will heal

     Your child is going to fall in love; it will be messy, but it will be beautiful

     Your child is going to make mistakes, but they will learn

 

     Your child is trying to figure themselves out, so be patient

     Your child is trying to make you proud, so don’t pressure them

     Your child is trying their best.

 

                                                 Sincerely,

                                                                A child

 

Editor: Shelby Armor

songs that I’m always in the mood for

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By Makena Behnke

 

we’ve all been in that mood when you don’t really want to listen to any of the songs on your playlist… so here is a list of songs that i listen to when i don’t want to listen to anything.

 

  • Rebel Love Song by Black Veil Brides (when you feel a little bit like hard rock)
  • Coffee Talk by Broadside (when you need some pop punk)
  • Matter of Time by Five Finger Death Punch (heavy metal)
  • Thank God I’m Not You by Himalayas (indie rock)
  • Blank Generation by Richard Hell (punk rock)
  • All You Are Is History by State Champs (pop punk)
  • I’m Shipping Up To Boston by Dropkick Murphys (punk rock)
  • Palette by Grayscale (pop punk)
  • Free Your Mind by En Vogue (R&B/pop)
  • My Own Way by Drowning Pool (metal)
  • Sugar, We’re Goin Down by Fall Out Boy (pop punk)
  • Coffin by Black Veil Brides (hard rock)
  • Your Body Is A Weapon by The Wombats (indie rock)

Editor: Claire Jenkins

*Warning: some songs might contain swear words.

Fictional Deaths I Still Haven’t Gotten Over (Spoilers Ahead: Really)

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By Peter Kadel

Let’s face it, reading/watching/enjoying works of fiction (i.e: books, movies, and videogames) is really fun and helps all sorts of people get away from the everyday and helps them escape occasional sadness. But sometimes… grief follows us into the realm of fiction as creators of fiction rob us of our favorite characters–giving us emotional scars from which we will never recover. In honor of these fallen fictional figures, here is a list of fictional deaths I still haven’t gotten over. (In no particular order).

* SPOILERS AHEAD * * SPOILERS AHEAD ** SPOILERS AHEAD *

Wash (Firefly/Serenity): The short lived sci-fi hit Firefly and its cinema followup Serenity followed a crew of misfits who were all lovable in their own way. But the character that stole hearts was the pilot Wash. The wise cracking, Hawaiian-shirt wearing, moral center of the team was brutally killed in the movie Serenity, and this loss has scarred me forever. He was the character I wanted to be in real life. Not only was the Firefly series ended too quickly, so was Wash.

Wolverine (Logan/Death of Wolverine): Everyone’s favorite X-man. The hardcore healing mutant with unbreakable bones and claws. Most of his fans thought he would never die, after all that was his main ability. So imagine my surprise when he died TWICE, once in the comic universe and once in the cinematic universe. I had to witness the death of my favorite superhero ever TWICE: first when he was encased in metal as he reflected on all he had done and was finally content after a life of sadness; and a second time when he died holding the hand of his daughter fulfilling the prophecy that he would die with his heart in his hand. I cried both times. So needless to say, I’m still upset about it.

Han Solo (Star Wars: The Force Awakens): I think it is safe to say that this one made everyone cry, to see our favorite bold and brash smuggler gutted by his bratty Sith lord son was an emotional hell that no one deserved. He deserved better. And Chewy’s reaction to watching his longtime pal Han fall into the abyss of Starkiller Base (“BBBrrrrwwwrrroooo”) was truly heart wrenching and, yes, I cried when it happened.

(The West Wing): The are too many deceased characters to list from this show. The show’s creator Aaron Sorkin seems to delight in toying with the audience’s emotions. The saddest death was that of a staple character, Leo McGarry, who was killed off in the final season because the actor passed away. Leo was everyone’s grouchy yet endearing older relative, and the way he cares about his coworkers made him even more lovable.

Chak (Guardians of the Flame: The Silver Crown): Now most of you have probably never heard of this book series, so let me explain. A group of college students are playing a tabletop RPG similar to D&D and they get transported into the game world which turns out to have a huge slave trade which the students vow to dismantle. One of the first slaves freed by the group is a man named Chak. He was a wisecracking swordsman who becomes a key member of the team until his untimely death in the third book of the series. Chak gave himself in a heroic act of self sacrifice to save his friends. Chak easily has the most entertaining characteristics, and his enduring sense of humor made him lovable. His death hit me so hard that I stopped reading the series after I finished the book.

While there are dozens of other deaths I’m still grieving, I’m pretty sure I’m not emotionally capable of listing all of them, so if there are any you think I should have included, let me know in the comments!

Editor: Claire Jenkins

Trial and Error: The Verdict

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By Brennan Nick, Blogger and Mock Trial Defense Attorney

Hey, I’m back with news about Mock Trial! To recap, nearly fifteen Palm Valley Upper School students competed together in the California Mock Trial Competition, and now that it’s over, here’s the news on how it went. Out of four competitions this season we went 2-2. Our first two competitions were against Indio High School and Great Oaks High School. We lost but by very slim margins. After that, we came back and narrowly beat Xavier in our third competition, and we won our last competition by a large margin against Amistad High School.

Palm Valley 2017-18 Mock Trial Team

Editor: Claire Jenkins

I’m Done

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By Guest Blogger-Poet Jackson Dean

I’m done;

Two weeks ago, 14 teens and 3 adults were killed at Stoneman Douglas High School by a young man with an AR-15.

I’m done;

Parents, husbands, and wives have to face the fact that the one they love most will never return to them.

I’m done;

Instead of honoring the victims and attempting to make much needed change, our President tweets about how it was the students’ fault for not saying something before the attack occurred.

I’m done;

Young survivors of the school shooting, who have become outright protestors of gun control, are demanding change and have received death threats.

I’m done;

Instead of reforming gun control, and preventing school shootings in the future, Congress members have only sent “thoughts and prayers.”

I’m done;

“Thoughts and prayers” have been sent to every recent school shooting. No action is taken. Things go silent; and then the next shooting occurs.

I’m done;

I’ve already written one poem about a shooting this year. It’s becoming more and more commonplace, and less riveting to write these poems.

 I’m done;

My subtleties and nuances that I once used to mask the message of these shootings have run dry.

I’m done;

I am sad, confused, and angry.

I’m done;

Moreover, I am scared. Scared for my life.

I’m done;

I am terrified that I will become a statistic, just like the 17 victims.

I’m done;

And you should be too.

Editor: Claire Jenkins

Go Climb a Mountain

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By Hiker and Blogger Claire Jenkins

On the 17th of February, right before the February Break, the Outdoors Club went on a hike up to the Palm Desert cross. The Outdoors Club, advised by Ms. Clark, hosts hikes monthly. All are welcome.

Happy hikers Sydney Armor, Sarah Jefferson, Claire Jenkins, and Hannah Makkai pose for a quick photo session and water break before climbing back down the mountain.

Ms. Clark and Hannah make interesting (“ahem” weird) shapes while Sydney and Sarah watch confusedly and Claire backs awkwardly away.

What’s happening? Possibly a playful pagan ritual? Actually, Ms. Clark was looking for an “interesting” photo op.

Ms. Clark smiles happily as her students dance like heathens.

PVS hikers rest in harmony with the view above Palm Desert from the yin-yang sign by the cross.

Editor: Renée Vazquez

Underseen and Underrated Films, Volume Two

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By Leo Milmet, The Bird on Fire Resident Film Critic

 

I had several other ideas for my previous post “Underseen and Underrated Films,” from various decades, so I retroactively (after submitting it to my editor) titled that post “Volume One” and this “Volume Two.”  This time, however, the decade in which a film is released means nothing. These are simply some extra films that I love just as much as the others that were left out in order to follow my original rule of “one per decade.” Hope you enjoy.–Leo

The Cabinet of Dr. Caligari (dir. Robert Wiene, 1920): A beautiful, German, monster-horror-silent film that exudes pure artistry and pure terror at the same time. A fascinating and expressionistic masterpiece.         

Mr. Smith Goes to Washington (dir. Frank Capra, 1939): An all-time American classic about a  layman who is chosen to become part of the Senate.

The Third Man (dir. Carol Reed, 1949): A masterful noir thriller. Joseph Cotten stars as Holly Martins, a pulp author who goes to visit his old friend Harry Lime in postwar Vienna, only to realize Harry is dead. Obsessed with understanding the circumstances surrounding Harry’s passing, he is led into a confusing web of contradicting stories about the victim.

The Night of the Hunter (dir. Charles Laughton, 1955): Despite initial failure, this ingeniously directed, incredibly suspenseful thrill ride is one of my favorite films of all time. Robert Mitchum stars as Reverend Harry Powell, a murderous and fanatical priest in prison for car theft when he meets a man who admits he has stolen and hidden $10,000. How far will Powell go to get his hands on the loot?

A Man Escaped (dir. Robert Bresson, 1956): A brilliant exercise in sound editing and mixing. The simple (but wonderfully executed) plot concerns the escape of a prisoner of war in World War II.

Network (dir. Sidney Lumet, 1976): A poignant political satire of insane proportions. Featuring Peter Finch in one of the greatest performances of all time.

Blue Velvet (dir. David Lynch, 1986): A twisted psychological thriller about a happy little suburban town and its deep, dark underbelly.

Clerks (dir. Kevin Smith, 1994): This low-budget, black-and-white comedy depicts the type of people who’d nonchalantly ring you up at a convenience store and then feel entitled to mock you just after you leave. Clerks is one of the best of its type because while it cracks its sometimes-funny and always overly sophomoric jokes, it entices you to latch on to its realistic, relatable and (surprisingly) intelligently drawn characters in a way that few comedies of its type can accomplish. Personally, I don’t watch this movie just to laugh, and that might be the biggest compliment I can give it.

Dark City (dir. Alex Proyas, 1998): This fascinating story, a visionary blending of science fiction and film-noir, is executed with beautifully bleak cinematography and production design. If you like film-noir or science fiction, this is an absolute must-see, even according to Roger Ebert, who named it his #1 film of 1998. Also, if you’ve never heard of this film, don’t look it up, just sit back and watch it one day, as the risk of spoiling one of the film’s many wonderful twists and turns is too high.

My Friend Dahmer (dir. Marc Meyers, 2017): This “horrifying coming-of-age story”  (the words of the director, Marc Meyers) concerning the teenage life of the infamous real-life serial killer Jeffrey Dahmer is one of my absolute favorite films of last year. Its well-written script is brilliantly executed, managing to be at once chilling, hilarious, and emotional without ever missing a beat.

Editor: Claire Jenkins

Underseen and Underrated Films, Volume One:

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By Leo Milmet, Bird on Fire Resident Film Critic

 

Many films each year fly under the radar of most audiences. Also, even more great films get less popular as time goes on. This eventually adds up to quite a few films that many people love, but that even more people never get to see.

 

Here are a few of my favorite films from each decade of film’s popularity that seem to have been forgotten or overlooked by the newest generation of film buffs. The two recent films I included (In Bruges and Silence) are films that are incredible but don’t seem to have been given their due by the masses, despite heavy critical acclaim.

 

Lesser-known films you should put on your viewing list include . . .

Safety Last! (dir. Harold Lloyd, 1923): A great silent comedy that is most impressive in that its influential humor and great story hold up remarkably well.

M (dir. Fritz Lang, 1931): One of the original film-noirs. A brilliant German crime film about a child murderer whose disturbing crimes lead him to be chased not only by the police, but by the Mafia as well. The film was incredibly progressive and daring for its time, and is just as bold and innovative today as it must have been in 1931.

Shadow of a Doubt (dir. Alfred Hitchcock, 1943): As paranoid as Rear Window, as suspenseful as Psycho. Hitchcock’s favorite film of his own, and for good reason.

Paths of Glory (dir. Stanley Kubrick, 1957): An emotionally stunning war film concerning the lack of warmth in a cold, inhumane system. Includes one of the greatest final scenes of all time.

Night of the Living Dead (dir. George A. Romero, 1968): The original zombie film. A dark and bleak low-budget horror classic.

The Last Picture Show (dir. Peter Bogdanovich, 1971): The best ensemble film about small-town life.

Rain Man  (dir. Barry Levinson, 1988): A sensitive and subtle road-trip dramedy of brotherly bonding featuring two of the best performances of the 1980s. A popular film in its time (it won Best Picture at the Academy Awards), but a film one rarely hears about today.

Ed Wood (dir. Tim Burton, 1994): A fittingly strange film about the misfits of ‘50s Hollywood and the fantastically terrible films they produced. Martin Landau’s portrayal of Bela Lugosi hits and exceeds the mark of true excellence. For cult film lovers like me, this one’s an absolute treat, and one of my favorite films of all time.

In Bruges (dir. Martin McDonagh, 2008): A great character-based dark comedy that creates pure hilarity out of very disturbing content and doesn’t miss a beat. The first feature film of Martin McDonagh, whose amazing filmmaking is now earning him serious Oscar buzz for his new film, Three Billboards Outside Ebbing, Missouri.

Silence (dir. Martin Scorsese, 2016): A powerful, emotionally draining masterpiece about the strength and will of faith and of the human spirit.

 

Editor: Brennan Nick

OSCARS 2018: PREDICTIONS, PICKS, etc.

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 By Leo Milmet, Resident Film Critic and Academy Awards Guru

Yay! That one weekend where everyone suddenly becomes a huge film buff like me is almost upon us! The Oscars are coming up this weekend!

Here is my list of predictions, wishes, and personal picks.

The following list will be divided into the Oscar nomination categories. I will write “Will Win,” “Should Win,” and “My Picks” next to the contenders:

*“Will Win” = the film/person that is likely to win the award;

*“Should Win” = who deserves to win;

*“My Picks” = my personal picks for that category.

 

BEST PICTURE:

Will Win: Three Billboards Outside Ebbing, Missouri

Should Win: Three Billboards Outside Ebbing, Missouri

My Pick: The Big Sick

 

BEST ACTOR IN A LEADING ROLE

Will Win: Gary Oldman–The Darkest Hour

Should Win: Gary Oldman–Darkest Hour

My Pick: Gary Oldman

 

BEST ACTRESS:

Will Win: Frances McDormand–Three Billboards Outside Ebbing, Missouri

Should Win: Saoirse Ronan–Lady Bird

My Pick: Saoirse Ronan

 

BEST SUPPORTING ACTOR:

Will Win: Sam Rockwell–Three Billboards Outside Ebbing, Missouri

Should Win: Sam Rockwell–Three Billboards Outside Ebbing, Missouri

My Pick: Sam Rockwell–Three Billboards Outside Ebbing, Missouri

 

BEST SUPPORTING ACTRESS:

Will Win: Allison Janney–I, Tonya

Should Win: Allison Janney–I, Tonya

My Pick: Allison Janney

 

BEST DIRECTOR:

Will Win: Guillermo del Toro–The Shape of Water

Should Win: Greta Gerwig–Lady Bird

My Pick: Martin McDonagh–Three Billboards Outside Ebbing, Missouri

 

BEST ANIMATED FILM:

Will Win: Coco

 

BEST DOCUMENTARY FEATURE:

Will Win: Faces Places

 

BEST ORIGINAL SCREENPLAY:

Will Win: Three Billboards Outside Ebbing, Missouri

Should Win: The Big Sick–Emily V. Gordon and Kumail Nanjiani

My Pick: The Big Sick

 

BEST ADAPTED SCREENPLAY:

Will Win: Call Me By Your Name–James Ivory

Should Win: The Disaster Artist–Scott Neustadter and Michael H. Weber

My Pick: My Friend Dahmer – Marc Meyers

 

BEST CINEMATOGRAPHY:

Will Win: Blade Runner 2049–Roger Deakins

Should Win: Blade Runner 2049–Roger Deakins

My Pick: Blade Runner 2049–Roger Deakins

 

BEST COSTUME DESIGN:

Will Win: Phantom Thread–Mark Bridges

Should Win: Phantom Thread–Mark Bridges

My Pick: Baby Driver–Courtney Hoffman

 

BEST FILM EDITING:

Will Win: Baby Driver–Paul Machliss and Jonathan Amos

Should Win: Baby Driver–Paul Machliss and Jonathan Amos

My Pick: Baby Driver

 

BEST FOREIGN LANGUAGE FILM:

Will Win: A Fantastic Woman

 

BEST DOCUMENTARY SHORT:

Will Win: Edith + Eddie

 

MAKEUP AND HAIRSTYLING:

Will Win: Darkest Hour–David Malinowski, Kazuhiro Tsuji, Lucy Sibbick

Should Win: Darkest Hour–David Malinowski, Kazuhiro Tsuji, Lucy Sibbick

My Pick: Darkest Hour

 

BEST ORIGINAL SCORE:

Will Win: The Shape of Water–Alexandre Desplat

Should Win: Phantom Thread–Jonny Greenwood

My Pick: Darkest Hour–Dario Marianelli

 

BEST PRODUCTION DESIGN:

Will Win: The Shape of Water–Production Design: Paul Denham Austerberry; Set

Decoration: Shane Vieau and Jeffrey A. Melvin

Should Win: Blade Runner 2049–Production Design: Dennis Gassner; Set Decoration:

Alessandra Querzola

My Pick: The Shape of Water

 

BEST VISUAL EFFECTS:

Will Win: Blade Runner 2049–John Nelson, Paul Lambert, Richard R. Hoover, Gerd

Nefzer

Should Win: Blade Runner 2049

My Pick: Blade Runner 2049

 

SOUND EDITING:

Will Win: Dunkirk–Alex Gibson, Richard King

Should Win: Baby Driver–Julian Slater

My Pick: Baby Driver

 

SOUND MIXING:

Will Win: Baby Driver–Mary H. Ellis, Julian Slater, Tim Cavagin

Should Win: Baby Driver – Mary H. Ellis, Julian Slater, Tim Cavagi

My Pick: Baby Driver

 

BEST LIVE ACTION SHORT:

Will Win: DeKalb Elementary

Should Win: DeKalb Elementary

 

BEST ANIMATED SHORT:

Will Win: Lou

Should Win: Lou

 

BEST ORIGINAL SONG:

Will Win: “This Is Me” from The Greatest Showman–Benj Pasek, Justin Paul

 

Editor: Renée Vazquez