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All The Way–A Review

April 9, 2018 by szachik@pvs.org 1 Comment

By Brennan Nick

All The Way, written by Robert Schenkkan, is the historical drama of Lyndon Baines Johnson’s turbulent and fierce first year in office as President of the United States. It was first written as a stage play; then it was performed on Broadway in 2014 and finally was adapted to the screen as an HBO television drama film in 2016. In all adaptations, the story begins after John F. Kennedy’s assassination at the beginning of Lyndon B. Johnson’s presidency. Faced with rhetoric of being an “accidental president,” he has to prove his legitimacy as a president in his own right, and he sees his way of doing so through passing the first major civil rights bill–something he’s wanted for years when working in the Senate.

After landing in DC, he was sworn in and made his very first speech about this goal. As expected he immediately encounters resistance from Democrats and Republicans alike. His main opponents are the Southern Democrats who are staunch segregationists and would do anything to maintain their Southern way of life–this was a time when Conservative Democrats had a lock on The South which lasted from the Civil War until only 40 years ago. What LBJ had to do first was gain the trust and support of the Northern Democrats for his Civil Rights Bill, and after that he had to convince and coerce Republicans into supporting him by telling them “You can vote with the segregationists and the country goes up in flames.”

Surprise, surprise, the Civil Rights Bill of 1964 gets passed, and after this it goes into Johnson’s presidential campaign against fellow Democrats in the primaries and against Barry Goldwater in the election of 1964. It is here that Schenkkan goes deep into analyzing LBJ’s personality, inner conflict, and even his paranoia that no one around him really supports him and as soon as he loses power no one would be there for him. This escalates to a moment where he’s lying in his bed considering dropping out of the election from the pressure.

Once again, surprise, surprise, Johnson wins the election of 1964 in a landslide, but he loses the South to Goldwater. The play and movie end on an ominous note at Johnson’s election celebration party where Johnson has an internal monologue where he explains how he dragged this election “kicking and screaming into the light” and claims to know that although these people are all laughing and smiling now, afterwards the knives will come out and he will have to defend his place on top.

Although I couldn’t watch the play on broadway myself, I have read the play and watched the movie on HBO. The acting, especially on behalf of Bryan Cranston, LBJ, was outstanding and made Cranston very different from his character on Breaking Bad (Walter White) or his previous goofy dad role in Malcolm in the Middle (Hal). LBG was a great change in character from what Cranston usually plays and really displays his versatility.

Editor: Peter Kadel

Filed Under: Uncategorized

LGBT+ Superheroes

March 30, 2018 by szachik@pvs.org 2 Comments

By Comic Lover and Blogger Peter Kadel

America Chavez–Marvels first LGBT latina superhero

In the past two decades, there has been a major shift in pop culture and modern entertainment. Comic books and comic book movies have gained an incredibly high popularity as comic books have become a legitimate form of art, and their film adaptations have grossed  billions.

Recently, I was talking with Mr. Griffin after a GSA meeting. The subject of comic books and comic-book movies came up after Mr. Griffin complimented me on my knowledge of Marvel comic books. As the conversation continued, we eventually got to the subject of minority representation in comic-book superhero movies. It was at this point that Mr. Griffin asked, “When is there going to be an LGBT Superhero on the big screen?” And, while I could not answer the question off the top of my head, I decided that I needed to find the answer. At first glance, it seems like there are no LGBT+ heroes and that there aren’t likely to be any in the near future. But upon a closer look, the opposite is true. In terms of current representation, many existing LGBT+ characters have hit the big screen, and there are even more LGBT+ characters that exist in the comics that have not yet been adapted to the big screen. Harley Quinn who appeared in the DC Extended Universe’s movie, Suicide Squad, is bisexual in the comics, having had romantic encounters with Poison Ivy. However, the movie adaptation, where Harley Quinn is played by Margot Robbie, did not explore that side of the character’s sexuality. On the Marvel side of comic-book movies, the character Deadpool, who received his first stand-alone movie in 2016, identifies as pansexual. And, while he has not yet had an on-screen romance with a man, many people involved with the franchise, including Deadpool actor Ryan Reynolds, have voiced interest in pursuing this side of the character’s sexuality. 

Representation within the DC comic-book universe–Poison Ivy and Harley Quinn

But there are even more LGBT+ characters in comic books that have not yet made their way onto the big screen. The best example is Marvel character America Chavez (aka Miss America). She is a lesbian latina superhero who was raised by lesbian parents. She is likely our best bet in terms of an LGBT+ hero with a stand-alone movie. The character is currently set to appear in an animated film titled Marvel Rising: Secret Warriors. While that is not the great big live action event that the character deserves, it’s a start. Miss America is an empowered young woman who always stands by her ideals and does not put up with bigotry and injustice. She is the perfect role model for younger generations, not only because of her ideals, but because she is more than her sexuality and relationships. This is how representation should be. People are more than their sexuality, or race, and this is shown in the way Miss America is handled as a character. America Chavez is a step towards representation that will ensure the relevance of Marvel Comics. Comic books are very popular among young people, so it only makes sense that they appropriately represent the young people of America. 

Marvel comic books especially have a long history of representing the under-represented and making us fall in love with those we thought were unlovable. Stan Lee (the major creative force behind the most popular Marvel characters) has a penchant for taking society’s outcasts and making them heroes. The core of the best marvel heroes are not their looks or social standing but the content of their character. The importance of representation in comic books is not the race or sexuality of the character, but the fact that they are shown as being worthy of being heroes.

Editor: Shelby Armor

Filed Under: Culture, Fiction, Op-Ed, Uncategorized, Visual Arts Tagged With: comic-book heroes, represent

Conflict and Competition

March 29, 2018 by szachik@pvs.org 4 Comments

by Anonymous

 

The world is strange–

full of constant conflict, be it subtle or forthright.

Why?

I would have it more “boring” and more peaceful, more joyous.

Conflict should be a principle of drama, not of life,

but I’ve come to the conclusion that will

never happen.

We’re not collaborative; we’re competitive.

I just wish I knew why.

We’re hairless apes, but even apes deserve better.

Nonetheless, conflict and competition,

be they cancers or creators,

are ever-present.

They’re part of human nature.

 

But I wish they weren’t.

O God, I wish they weren’t.

 

Editor: Makena Behnke

Filed Under: Poetry Tagged With: apes, competition, conflict, us

Stories About Snakes–Fairy Tale Re-Telling

March 29, 2018 by szachik@pvs.org Leave a Comment

Graphic by Harlow Berny

Retold By Harlow Berny

Storyteller Berny unearths Grimm’s tales about children and snakes. As we move from one to another, Berny reminds us, “None of these stories are related other than the fact that they contain children and snakes.” Enjoy the combination.

I.

Centuries ago, in a long forgotten kingdom, there was a little girl whose mother would give her a small bowl of milk and bread. Every day the child would eat in the yard on a small stump. When she would eat, a snake would creep out a crack in the wall, dip its head in the dish, and eat along with her. The child took joy in having a friend to eat with, and so, when the snake did not come out one day, she softly spoke,

“Snake, oh snake, quickly

come forth, you tiny critter,

you shall eat your bread crumbs,

you shall drink your milk.”

When the snake heard these words, it rushed forth to enjoy its meal. To show its gratitude to the child, the snake gave her some of its hidden treasures, such as shining gems, captivating pearls, and glistening golden jewelry. Following this event, however, the snake only drank the milk, never touching the breadcrumbs. After a few days of this, the little girl tapped the snake on its head with her spoon, saying, “Eat the bread crumbs as well, tiny critter.” The mother, who was in the kitchen, heard the child speaking, looked out the window, and was horrified to see a snake right next to her daughter. She ran out with the knife she was using to cut vegetables, and she killed the peaceful snake.

From that day forth, the little girl changed. When the snake ate with her, she grew tall, strong, and beautiful, but now she withered–her cheeks went pale, and her hair fell out. It was not long before the doves cried and the robins collected little branches for a funeral wreath as the child lay in her coffin.

 

II.

A young orphan girl was sitting under a tree when she suddenly spotted a snake slithering out of a hole in the ground. She quickly laid her blue silk handkerchief beside her, as she was always told that snakes loved blue handkerchiefs so much they’d ignore nearby humans, even resting on the handkerchief as humans walked by. This snake, however, went straight back into the hole in the ground upon seeing it, only to return with a small golden crown. The snake placed the crown on the handkerchief before rushing to the hole once more. The girl, amazed with what she was seeing, picked up the glittering crown and her handkerchief, placed the crown atop her head and the handkerchief in her pocket. She skipped her way to the orphanage to show all her friends what she had found. The snake came out again, and, upon seeing that the crown and handkerchief both were missing, bashed its head into the wall over and over again, only stopping when its body went limp and bloody, never to move again. If the girl had left the crown and waited a while longer, surely the snake would have brought more treasures out of the hole.

 

III.

A snake laughed, “Hehehe.”

A child heard the snake and went to question it, “Little snake, have you seen my little sister? She wears little stockings upon her legs.”

“No, I have not,” answered the snake. “Have you seen little red stockings? Hehe, hehe, hehe.”

The child never said the sister’s stockings were red.

 

Editor: Renée Vazquez

A Re-Telling of Grimm’s

Filed Under: Fairy Tales, Fiction, Visual Arts Tagged With: fairy tales, Grimm's

01010011 01101110 01100001 01101011 01100101, A Poem In Binary

March 28, 2018 by szachik@pvs.org Leave a Comment

By Antonio Patencio

01010011 01101110 01100001 01101011 01100101 00100000 01101111 01101000 00100000
01110011 01101110 01100001 01101011 01100101 00100000 01101111 01101000 00100000
01101101 01100001 01110010 01110110 01100101 01101100 01101111 01110101 01110011 00100000
01110111 01101111 01101110 01100100 01110010 01101111 01110101 01110011 00100000
01100010 01100101 01100001 01110101 01110100 01101001 01100110 01110101 01101100 00100000
01110011 01101110 01100001 01101011 01100101 00100000
01111001 01101111 01110101 00100000 01100101 01100001 01110100 00100000
01110100 01101000 01100101 00100000
01101101 01101001 01100011 01100101 00100000
01111001 01101111 01110101 00100000
01110011 01110111 01100001 01101100 01101100 01101111 01110111 00100000
01110100 01101000 01100101 01101101 00100000
01110111 01101000 01101111 01101100 01100101 00100000
01111001 01101111 01110101 00100000 01100101 01100001 01110100 00100000
01110100 01101000 01100101 00100000
01110010 01100001 01100010 01100010 01101001 01110100 01110011 00100000
01111001 01101111 01110101 00100000
01110011 01110111 01100001 01101100 01101100 01101111 01110111 00100000
01110100 01101000 01100101 01101101 00100000
01110111 01101000 01101111 01101100 01100101 00100000
01111001 01101111 01110101 00100000
01110011 01101100 01101001 01110100 01101000 01100101 01110010 00100000
01101001 01101110 00100000 01100111 01110010 01100001 01110011 01110011 00100000
01111001 01101111 01110101 00100000
01110011 01101100 01101001 01110100 01101000 01100101 01110010 00100000
01101001 01101110 00100000 01101000 01101111 01101100 01100101 01110011 00100000
01100010 01110101 01110100 00100000 01101100 01100101 01110100 00100000
01110101 01110011 00100000 01101000 01101111 01110000 01100101 00100000
01111001 01101111 01110101 00100000 01100001 01110010 01100101 00100000
01101110 01101111 01110100 00100000 01101001 01101110 00100000
01100001 01101110 00100000
01100101 01100001 01100111 01101100 01100101 00100111 01110011 00100000
01101000 01101111 01101100 01100100 00101110

*and its translation . . .

 

Snake oh

snake oh

marvelous

wondrous

beautiful

snake

you eat

the

mice

you

swallow

them

whole

you eat

the

rabbits

you

swallow

them

whole

you

slither

in grass

you

slither

in holes

but let

us hope

you are

not in

an

eagle’s

hold.

Editor: Shelby Armor

Filed Under: Poetry, Technology, Uncategorized Tagged With: binary, poem

Sam Smith as “Raw Material”

March 28, 2018 by szachik@pvs.org 1 Comment

By Claire Jenkins

Poetic Form: Found Poetry

The literary equivalent of a collage, found poetry is often made from newspaper articles, street signs, graffiti, speeches, letters, or even other poems. A pure found poem consists exclusively of outside texts.–Poets.org

The following poem is completely made up of lyrics from various Sam Smith songs creating a uniquely original “Claire” poem about love.

 

Don’t have direction, I’m just rolling down this road

Waiting for you to bring me in from out the cold

Cause I was built for you

Yes I was built to carry all your feelings

No need to step back

Don’t be scared, I got you, you know that

Now I’ve got you in my space

I won’t let go of you

Please don’t get me wrong

I wanna keep it moving

I know what that requires

I’m not foolish

We both have demons, that we can’t stand

I love your demons, like devils can

And deep down I know this never works

But you can lay with me so it doesn’t hurt

There’s a method to my madness

It’s clear that you don’t have a clue

And I hate to say I need you

I’m so reliant

I’m so dependent

I’m such a fool

I wish this would be over now

But I know that I still need you here

Don’t say it was the best thing for the both of us

When I’m the one playing the fool

I don’t think this will last

But you’re here in my arms

Told me not to cry when you were gone

But the feeling’s overwhelming, it’s much too strong

Cause I put everything out there and I got

Nothing at all

There’s nothing I can do

I’m helpless without you

Editor: Makena Behnke

Filed Under: Poetry Tagged With: Being Sam Smith, poetry, Sam Smith

Femina

March 28, 2018 by szachik@pvs.org 1 Comment

By Tahra Dactyl

 

Our value as women is disregarded,

compromised.

When we are anything other than the body

constructed for us,

we are outcast,

we are treated as an anomaly.

 

We are expected to wear makeup and

look pretty.

Our bodies are used to promote products,

treated as no more than an outlet for revenue.

But when we accept our bodies

(thus showing some skin),

we become shameful.

We lose our credibility.

We become

the dirt

that we walk on.

 

But we are so much more than that.

Editor: Claire Jenkins

Filed Under: Poetry, Uncategorized Tagged With: National Women's History Month, women

The True Heroes

March 23, 2018 by szachik@pvs.org 1 Comment

By Charles Schnell

 

Charles received Honorable Mention for this poem submitted to the Youth Town Hall “Giving Back” Poetry Competition–a valley-wide competition held in honor of Caroline Kennedy, former ambassador to Japan and daughter of John F. Kennedy. Kennedy is a longtime advocate and editor of poetry. Her family is known for its dedication to service. The compilation of poems was a gift to Kennedy when she spoke at the Desert Town Hall Forum last month.

 

The celebrities,

The athletes,

The CEOs,

The lawyers.

These aren’t the

True heroes

(Especially the lawyers).

Rather,

Blessed be

The organ donors,

The charity givers,

The teachers,

The soldiers,

Those who give their time, money, and life

To giving back,

For they are

The true heroes.

Editor: Renée Vazquez

Filed Under: Arts & Letters Awards, Culture, Current News, Poetry, School Events, The World Tagged With: Charles is a poet, Giving Back, Honorable Mention

My First Experience With American Beauty

March 23, 2018 by szachik@pvs.org Leave a Comment

By Leo Milmet, The Bird on Fire Resident Film Critic

When I was ten, I began to take a serious interest in film. I saw a poster for the Cinemark Classic Series at the theater at The River. The tickets were $5 per film, so I went to see each of the listed films (Forrest Gump, West Side Story, Lawrence of Arabia, American Beauty, Casablanca, and The Godfather).

I fell in love with film that year. I was introduced to an entirely new world: the world of the greatest films of all time, not just something like Star Wars or Gone With The Wind. I became invested in the wonderfully written and beautifully realized characters of American Beauty and Casablanca like I never had been before. I was introduced to the sheer power of brilliant cinematography through Lawrence of Arabia’s beautiful, epic shots. The themes of West Side Story, despite my having already seen the film and enjoyed it, challenged me in a new way. The Godfather showed me a truly tragic fall from grace.

However, of all these classic Oscar winners, American Beauty (1999) was the film that made me want to become a filmmaker. I remember the night I saw that film. The film was a cheeky satire, but also a melodrama. I didn’t get behind Lester, the film’s anti-hero, and his disquieting desires, but I felt terrible for him nonetheless. As much as I loved every one of these films, and I did (I REALLY LOVED THEM ALL), I had become absolutely enamored with the quiet power of American Beauty, the character-based work of genius that I will forever remember seeing for the first time. I was drawn in by writer Alan Ball’s realistic characters. The film’s powerful themes of nostalgia, uncertainty about one’s place in the world, lust, and breaking the system are accessible to anyone. Even when I was not old enough to actually understand them, I still felt them. Somehow, someway, Sam Mendes directed the film so that each character, each scene, each theme spoke to me.

American Beauty changed my life. It made me want to make films just because I want another person to experience what I experienced that night. I owe this film so much because it truly was the film that made me love film.

Editor: Shelby Armor

Filed Under: Culture, Performances, Review, Visual Arts Tagged With: American Beauty

Stage Fright

March 22, 2018 by szachik@pvs.org 1 Comment

By Tahra Dactyl

Humans are incredible at acting,

except not on a conventional stage.

We act on a stage of discrimination:

sexism,

religious intolerance,

homomisia,

racism.

A stage of social constructs.

We have doomed ourselves to lives

of acting.

Pretending we’re someone we’re not.

Forced into personas by our fear of being left out,

our fear of being seen as

different.

We’re all good at acting,

because

of our stage fright.

 

Editor: Renée Vazquez

Filed Under: Poetry Tagged With: stage fright

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About

We are the Palm Valley Firebirds of Rancho Mirage, California. Join us in our endeavors. Venture through the school year with us, perusing the artwork of our students, community, and staff. Our goal is to share the poems, stories, drawings and photographs, essays and parodies that come out of our school. Welcome aboard!